EVERYTHING MUST GO
Foreword by John Yamrus
Dan Flore is an enigma. At least he is to me. His poetry can be all over the place. His work is intense and personal and it sometimes pisses me off. But, truth be told, that’s what’s great about it. With Flore and his approach to writing, there is no filter. It is what it is. Take it or leave it.
Over the years, I’ve learned that writing (like pretty much anything else in life and art and love) that opens itself up to you immediately...that right up front gives you everything it’s got...is momentarily interesting, likeable and fun. But writing that makes you work for the reward (the best example I can give is Marcel Proust) is so much more lasting and memorable.
But, let me get back to what I said about Flore being an enigma. By definition, an enigma is something that’s hard to understand or explain. How cool is that? I mean, you got the Mona Lisa’s smile...you got Miles Davis and his music...and now you have Dan Flore and when I think of Dan Flore, I sometimes think of Henry Miller. And when I think of Henry Miller, don’t ask me why, I think of that famous picture of him playing ping pong with the naked girl. And, for my money, that’s the perfect example of an enigma...the old guy and the babe...playing ping pong? I mean, what’s up with that? And why? And so it is with Dan Flore and this brand new book of his. It’s everything and nothing. It’s a beginning and an end. It’s a death rattle and a new-born baby’s cry.
At times it feels like screams from beyond the edge of madness, and at others it just makes perfect sense. This book is real and raw, and a perfect example of writing the way it needs to be...when you’re backed up against the wall and you find you have absolutely no other choice.
Praise for Everything Must Go:
Dan Flore's poetry isn't afraid to be lascivious, desperate or nostalgic. I guess that's a lot like life.
—Chris Dusterhoff
Do you like energy drinks and ass? Do you have anxiety?
If the answer is “No”, then it’ll turn into a “Yes” after reading “Everything Must Go”. Dan’s open and honest no-holds-barred style of writing is a kick in the teeth. “You could use the taste of cement. Might rattle you back to yourself.”
—Michael E. Duckwall
I've been happy to publish Dan Flore's work on Open Arts Forum for the better part of 5 years, and this collection of short fiction amply demonstrates why. From the insanity of navigating bureaucracy to the surrealism of existential dread, Flore's tales offer a satirical mirror reflecting the absurdity of our reality. Prepare to laugh, cringe, and contemplate the fine line between madness and sanity in this mesmerizing journey through the mind of a master storyteller.
—Jay Dougherty, editor and publisher
OpenArtsForum.com
Dan Flore III is a biographer of the transience of moments. He paints a discerning undercurrent of poetic strokes that leave lasting impressions even though he lays open for us that Everything Must Go.
—silent lotus
Foreword by John Yamrus
Dan Flore is an enigma. At least he is to me. His poetry can be all over the place. His work is intense and personal and it sometimes pisses me off. But, truth be told, that’s what’s great about it. With Flore and his approach to writing, there is no filter. It is what it is. Take it or leave it.
Over the years, I’ve learned that writing (like pretty much anything else in life and art and love) that opens itself up to you immediately...that right up front gives you everything it’s got...is momentarily interesting, likeable and fun. But writing that makes you work for the reward (the best example I can give is Marcel Proust) is so much more lasting and memorable.
But, let me get back to what I said about Flore being an enigma. By definition, an enigma is something that’s hard to understand or explain. How cool is that? I mean, you got the Mona Lisa’s smile...you got Miles Davis and his music...and now you have Dan Flore and when I think of Dan Flore, I sometimes think of Henry Miller. And when I think of Henry Miller, don’t ask me why, I think of that famous picture of him playing ping pong with the naked girl. And, for my money, that’s the perfect example of an enigma...the old guy and the babe...playing ping pong? I mean, what’s up with that? And why? And so it is with Dan Flore and this brand new book of his. It’s everything and nothing. It’s a beginning and an end. It’s a death rattle and a new-born baby’s cry.
At times it feels like screams from beyond the edge of madness, and at others it just makes perfect sense. This book is real and raw, and a perfect example of writing the way it needs to be...when you’re backed up against the wall and you find you have absolutely no other choice.
Praise for Everything Must Go:
Dan Flore's poetry isn't afraid to be lascivious, desperate or nostalgic. I guess that's a lot like life.
—Chris Dusterhoff
Do you like energy drinks and ass? Do you have anxiety?
If the answer is “No”, then it’ll turn into a “Yes” after reading “Everything Must Go”. Dan’s open and honest no-holds-barred style of writing is a kick in the teeth. “You could use the taste of cement. Might rattle you back to yourself.”
—Michael E. Duckwall
I've been happy to publish Dan Flore's work on Open Arts Forum for the better part of 5 years, and this collection of short fiction amply demonstrates why. From the insanity of navigating bureaucracy to the surrealism of existential dread, Flore's tales offer a satirical mirror reflecting the absurdity of our reality. Prepare to laugh, cringe, and contemplate the fine line between madness and sanity in this mesmerizing journey through the mind of a master storyteller.
—Jay Dougherty, editor and publisher
OpenArtsForum.com
Dan Flore III is a biographer of the transience of moments. He paints a discerning undercurrent of poetic strokes that leave lasting impressions even though he lays open for us that Everything Must Go.
—silent lotus
Last edited: