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New book - Shaking The Persimmon Tree

Marc Woodward

Well-Known Member
Supporter
Hi all,
I’m delighted to say I have a new book published today.
Quite a few poems have been posted here in one form or another - so thanks to anyone who’s commented.
Available via Amazon, Barnes & Noble, Kindle etc or direct from the publishers Sea Crow Press

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Thanks Tom, Matt and Phyllis, much appreciated. Matt - here’s a couple of the finished poems which have earlier drafts here. The book ties together several threads - Italy, the environment, and my own diagnosis with young onset Parkinson’s - all three evident in this poem which gives the collection its title

The Boar

Beyond the garden boundary
past the halo of the terrace lights,
the undergrowth is shaking
to the soft grunts of a cinghiale.
I can’t see him but I know he’s there.

Along the night-sweat lane
near the house with the rusted vines
big white dogs are sounding off,
barking their ignorance
into the night, over and over.

I could walk out in the grass
to the edge of the rustling dark,
sure the boar would batter away
wary of my man-stink
and the shotgun I might carry.

But we play this stand off,
me here, the boar in the bushes,
for we each know our place
and no good thing can come
from forcing a meeting.

And what if it isn't a boar
rattling unseen in the canes?
Perhaps it’s something else
pulling down the green leaves,
tearing up the teeming soil?

So I stay by the moth-speckled lights
for fear of unknowable things -
not the bristly pig in the bush
with his pinhole eyes, rooty tusks,
stupidly dainty on cloven heels.

That shape though: the bulk of a boar,
of a high and hump-backed hill,
of a stoop-shouldered sky -
awful in its absence and presence -
that shape is waiting for me,

aware one day I'll have no choice
but to push into the shadows
and find the beast shaking
at a persimmon tree
knowing the fruit must surely fall.
 
Thanks Tom, Matt and Phyllis, much appreciated. Matt - here’s a couple of the finished poems which have earlier drafts here. The book ties together several threads - Italy, the environment, and my own diagnosis with young onset Parkinson’s - all three evident in this poem which gives the collection its title

The Boar

Beyond the garden boundary
past the halo of the terrace lights,
the undergrowth is shaking
to the soft grunts of a cinghiale.
I can’t see him but I know he’s there.

Along the night-sweat lane
near the house with the rusted vines
big white dogs are sounding off,
barking their ignorance
into the night, over and over.

I could walk out in the grass
to the edge of the rustling dark,
sure the boar would batter away
wary of my man-stink
and the shotgun I might carry.

But we play this stand off,
me here, the boar in the bushes,
for we each know our place
and no good thing can come
from forcing a meeting.

And what if it isn't a boar
rattling unseen in the canes?
Perhaps it’s something else
pulling down the green leaves,
tearing up the teeming soil?

So I stay by the moth-speckled lights
for fear of unknowable things -
not the bristly pig in the bush
with his pinhole eyes, rooty tusks,
stupidly dainty on cloven heels.

That shape though: the bulk of a boar,
of a high and hump-backed hill,
of a stoop-shouldered sky -
awful in its absence and presence -
that shape is waiting for me,

aware one day I'll have no choice
but to push into the shadows
and find the beast shaking
at a persimmon tree
knowing the fruit must surely fall.
Wonderful. The pace is perfect and powerful.
 
And here’s

Rewilding Stoneman’s Farm

See this:
a red flatbed marooned in slurry.
A perished tyre up on top
of a rusted Peugeot raised on blocks.
A green trailer laden with sodden logs.
Last night's storm has passed
and everything steams
as if the world is being poached.
A squirrel shuffles hazels,
clanging the galvanised tin
of a purposeless shed.
At the island end
of a waterlogged paddock
five black heifers wait
for nothing they can name.
Mystery machinery
corrodes against stone
caught by surprise
when the iron plague came.
On a yellow skip throne
a one horned quad bike
rules this junk and rubble kingdom.
Behind a high fence
something happened
the Planners wouldn't like.
A snapped sign says:
Private Kee
Nothing moves. I wait
and nothing moves again.
The Earth is readying itself
to accept a death, the slow
disassembly of molecules.
See this: empty pubs, silent schools.

Could you post a link to the one poem here that you feel best represents the book?
 
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